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"A'idah" copyright by Christopher Clements

In Praise of Drama

A poem by Joan Logghe

Praise drama, that long opera of night
Turning daylight, for giving the night birds to me
And my own white spider, part of a tear, by the white horse.

And drama, which writes in lipstick on the mirror
And since time passes but pain doesn't, edits
That lipstick smear. Drama, which places a sword
Between the lovers, this never bodes for well.

Drama the femme fatale and drama the man in black.
Thank you drama, for leaving my life alone
Until I was old enough and could appreciate
Your gift. You choose our hell and provided food
For the melt down night, liquids for the trysts.

Early morning walk and sacrifice. "Cut off the hydra head
And more grow back," this is what drama said. And drama
Who loves the night, two people making claims,
Staking out territory. Watering the soil
Because it never never rains.

Drama, that Communist and drama the acrobat,
Entering my life with a taste of heaven
Also at its wildest feast. A butterfly that died.
A galloping of hooves that beat past the kitchen window
Where there were no horses, and beat and beat.

My peaceful life illuminated by grief, filigree
At the edges of the text. Days when nothing happens
Will return, blessed as desert rain and winter heat.
Drama, thank you, for revealing the form within the life,
A body hunched in anger, dumb words spoken in code.

Drama, huge queen with scepter and crown. The fat lady
Endlessly sings. The curtain comes down and down and down.

Copyright Joan Logghe

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Joan Logghe
Photo by Diane Ronayne, Boise, Idaho

Joan writes:
This poem is from a manuscript in progress called All of the Sudden. My work has less to do with imagination than it does with truth, image, association, and the blessed unconscious. It all happened, it started with an image, it started with an event, and then the sensible surrealists came calling. New Mexican magical realism. Actually, last night I dreamed that a homeless man gave me a large book called Poetry and Dreams. He had dumpster dived for it. It is deconstructing as we speak.

Joan Logghe has lived in northern New Mexico since 1973. She teaches poetry at Ghost Ranch Conference Center and recently in Zagreb, Vienna, and Bratislava. Books include Rice (Tres Chicas Books), Blessed Resistance (Mariposa Publishing), and Twenty Years in Bed with the Same Man (La Alameda). She is a recipient of a National Endowment for the Arts Fellowship, a Mabel Dodge Luhan Internship, and six years of support from Witter Bynner Foundation for Poetry. She and her husband, Michael, have raised three children and built three houses.

Joan can be reached through the Tres Chicas Books website or via email at joanlogghe@hotmail.com.

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