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Between the Covers

The used bookstore on East 12th Street in New York was irresistible to me. I could not pass it without taking at least a cursory glance at the selection on the tables outside. That accomplished, I was invariably drawn inside.

A pleasant smile from the elderly woman behind the counter was the greeting I'd grown accustomed to.

"Hi, Mandy," I'd call with a wave.

"Afternoon, William," she'd say. Before I'd have time to say anything else, she'd add, "I know, I know. You haven't any time and will just stay a minute." Her lips would purse into a knowing smile. "You're always welcome here." She'd then return her attention to the inevitable pile of books before her, reading glasses perched near the tip of her nose.

The slightly musty smell of old books drew me through the long, dimly lit aisles. The atmosphere of paper and bindings, being surrounded by the written expressions of thousands of minds, made me feel as though I were wallowing in the tangible air of intellect. Mesmerizing.

New arrivals were piled daily on trolleys along the back wall of the shop. New old books. The concept was irresistible. I waved my hand slowly over the aligned ends of the bindings, reading titles. If observed, it would appear as if I were conjuring a spell to have my book of choice rise and place itself in my grasp.

How silly—until it happened.

I blinked and laughed, convinced I'd imagined it. But the book was in my hand, a hand-tooled leather cover with lettering so worn that I couldn't read the title. The fly leaf, when I'd carefully turned to it, read: Lost Horizon by James Hilton.

A smile came inadvertently to my face. This had always been one of my favorite books. To me it was a magic portal to so many wonderful imaginings. The book itself seemed old, though, older than its original publication date. I searched for its printing history, but found none. What I did find was that the entire book seemed to have been hand-lettered, not printed. It was almost like a diary.

I held the book by the binding, and it opened to a page about halfway through, as though it was natural for the book to rest in that position. What appeared to be a bookmark rested in the fold. A parchment, it turned out, with precise curlicues, ink-brushed lettering of a sort totally alien to me, that surrounded a delicately painted flower.

I sat at a nearby reading table to look at the flower more closely, holding it as lightly as I would a cobweb. As I drew it closer to my eyes, a pale light emanated from its heart, growing brighter. I couldn't look away, although my eyes began to close, weighted with my imaginings.

A breeze sprang up, washing my face with cool air. I struggled to straighten, to look for the source of the wind. After long minutes, I managed to open my eyes.

Before me rose the city of Shangri La as I'd envisioned it, with soaring walls and gilded roofs, cascading gardens, surrounded by mountain peaks.

It couldn't be, of course. I knew that, but reason was unimportant. I was there on a pathway with other people who were strolling in a realm of wonder—yet believing—as much in awe as I.

Many males wearing the saffron robes of Tibetan monks glided silently past, seemingly on their way toward the high-gated, gilded entrance of the central temple.

I held up my hand as one of them neared, wanting to ask—something. "Please..."

"Are you still here, William?" Mandy's voice broke through my reverie, through the time and space in which I'd traveled. "It's time to go," she said, laying a hand on my mine. "I'm sorry. I know you'd rather stay."

She reached for the book.

"No," I exclaimed. "I want this book."

Her smile was sympathetic. "I think you know that you can't have this one, William. This is one of the Special Books. It is meant only for people who can truly appreciate it. For you, it will always be here, whenever you wish it or need it. But it can never be taken away, or it will crumble to dust."

Rationally, I shouldn't have believed her. But I did. My chest felt heavy as I handed the book to her, and started along the long aisle that led to the exit. I felt as if I'd lost a world, although I'd not ventured from the bookstore in the usual sense. An involuntary sigh rose to my throat.

"William," Mandy called from behind me. I turned. "There are many special books for the likes of you. All you have to do is hold out your hand. Have you ever read Siddhartha by Hermann Hesse?"

The young Buddha! Elation infused my body and mind. I virtually worshipped Siddhartha. I'd read it regularly, once a year, since I was a boy. "I'll be back tomorrow," I called, almost with a giggle. "Early. I won't go to work. I'll come straight here."

"All right, William," Mandy said gently. "For a while, that will be just fine."

How will I get through the night? I wondered as I left the shop. The bell over the door tinkled with the lightness I felt. Tomorrow. I reached for a subway token in my pocket and realized that I still held the bookmark with the flower in the center. I turned to go back, but the lights were out in the bookshop.

"Please don't turn to dust," I said. "Please."

It didn't.

"Between the Covers" first appeared in Toasted Cheese.

Copyright 2006 by Allen McGill

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Allen McGill

Allen writes:
I lived most of my life in NYC. As a booklover, I'd often browse through the bookstores in lower Manhattan for "treasures" long out of print, often buying books I hadn't known existed…which led to my later opening a bookstore on West 72nd Street. Later still, I began writing seriously, in many genres, seeking to fulfill the desire to express myself—a never-ending, ever-expanding passion.

Allen McGill, originally from NYC, now lives, writes, acts and directs theatre in Mexico. His published fiction, non-fiction, poetry, plays, photos, etc., have won awards and appeared in: HYT Times, The Writer, Newsday, Literary Potpourri, Poetry Midwest, QLRS, Herons Nest, Frogpond, Modern Haiku, World Haiku Review, and many others. He is a former member of PEN. He was an invited guest at the First World Poetry Festival in Taiwan 2005, haibun editor for Simply Haiku, and two of his plays have been professionally produced in Sacramento and L.A. He can be reached via email at aljons@yahoo.com or through his website: http://tinyurl.com/m7il.

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