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Brick Eye by Tom Romero
"BRICK EYE" copyright 2006 by TOM ROMERO

Deconstruction:
'I Know Why The
Caged Bird Sings'

                  ~ Maya Angelou

    A poem by Marian Kaplun Shapiro

I

          Center of my maypole, I
          am the descendent of Eve
          and Hildegard, and of Odetta.
          I am she of the lullabye
          and the nigun, of aria
          and ballad, of spiritual, of Bread
          and Roses, and the honest Shaker
          hymn. You may have heard me
          chanting in the back seat
          of taxis, and the bow of birch
          canoes, caroling in kitchens
          and in launderettes, whistling
          Chopin by the side of
          the chlorinated swimming pool
          (dreaming of dolphins), humming on
          backyard tire swings and
          subway platforms.
          You hear me celebrating births
          and birthdays in languages
          I do not speak. You will always
          hear my dirge as the body
          is lowered in the broken ground.

know

          How do I know? in the sweep
          of sound I am yours. You reach
          satori and I shimmer with you.

why

          Because I must. Because you must.

the

          The bird. A bird. Still the bird.

caged

          Behind bars, she has chosen
          life. Life is freedom. Free
          as a bird
. Freedom
          is life. We cannot always
          unlock the cage. Is there air?

bird

          sparrow, pigeon, egret, owl,
          heron, hawk, blue jay, chicken,
          parrot, nuthatch, robin, goose.
          Birds fly. Feathers and wings.
             White dove: bird of peace.

sings

          One magical March day, I,
          beige lady, on vacation,
          possessed by possibility,
          improv with a band of Black
          men in a park in New
          Orleans. Clarinet, slide
          trombone, sax, guitar, steel
          drum. Each in turn is master
          of his 3-line message. We
          others wait, respect married
          to ecstasy. Now I feel
          the heat of an arm around me, bass
          player pinging with his other
          index finger. The clarinet
          and horn caress that sweet diminished
          fifth, holding the whole world's
          breath. The universe is mine.
          I float my soprano riff.
          Kingdom is Come. For a moment
          we all dissolve, skin-
          hair-eyes-bones man/
          woman, young/old/, brown/
          black/beige/ tourist/all-
          their-life-playing-blues-guys
          and the music wraps us up
             tight as a rocket.

In honor of the musicians of New Orleans

Copyright 2006 by Marian Kaplun Shapiro

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Marian Kaplun ShapiroMarian writes:
In many ways I identify with the caged bird. The caged bird reminds me of a pair of bookends my beloved grandfather sent from California when I was a child—rare butterflies pinned inside glass in a rough redwood frame. Loving him, I loved them—and suffered with them—so beautiful, so imprisoned. This poem celebrates the gratitude I've always felt for the presence of music in my life, which crescendoed in the moment of freedom I felt singing with those guys in New Orleans.

Born in 1939 in the Bronx, Marian Kaplun Shapiro practices as a psychologist and poet in Lexington, Massachusetts. The author of Second Childhood (Norton, 1988) and many professional articles, she returned to writing poetry five years ago. Her poems have appeared in forty-three journals and three anthologies, and have won five first prizes and six other prizes. Her chapbook, Parenthesis, appears on the website of Language and Culture: www.languageandculture.net, and she can be reached via email at: mkshapiro@rcn.com.

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