This fabric canvassing the wind
becomes the Mandelbrot Room:
Everyone walks slowly into a brilliant room.
From a distance you see colors flashing, orange,
grapefruit, lime, opening into another equally strange which
is yet the same room. These crystal rooms grow smaller
as you look toward the swirl the dark horizon but as
you walk toward them wondering
which one to enter
you see each is
the same so it doesn't
matter which you choose.
The farther you walk the more
you notice the sinuous chambers
curving. People you know stroll slowly,
patiently, their faces watchful, like you
considering, strangely attracted, or hesitant,
bemused, thinking how each comes from a dark
shuttered room, friends and enemies alike,
preoccupied, struck by the smell of ripe fruit.
Each person sits in what for each seems
to be the center of the room that seems
just large enough. As you sit in the center you close
your eyes, just as they do. You see the curving facets
that grow into fresh designs each revealing another, as if
each were a new, cool touch or pulse of blood more calm
or each a face on the diamond of this concentration
and you can sense each
will soon break
the lure of iteration,
will be free to go, at home
in this room where
colors flash, fig,
apple, pear,
plum. | |
Canto 27, first published as "The Mandelbrot Room," Calapooya Collage (Tom Ferte, Editor, Adrienne Lee Press, P.O. Box 309, Monmouth, OR 97361), No.
15, August, 1991, p. 7.
Copyright 2006 by R. Virgil Ellis
|