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"JACOB'S LADDER"
Copyright 2006 by ARLENE NESBITT

Vela Aquae

A poem by George Amabile

                for Tracy Jager

I tell myself, don't make a sound.
The river is asleep in its glistening skin
of lights, and all the sails are furled.

This is the hour of transparency,
a gift wrapped in veils of moonlight,
veils of air, a gift that cannot be returned,

or opened like vivid memories
of birdsong or desire. Only stillness
can unlock its tai chi auroras,

night scarves whispering the near
-ly inaudible music of butterfly wings,
the way light shifts in a backwater eddy,

the way the lift of a wave can change
the shape of the sky. Water has many voices.
They speak most clearly in the dark.

They are inside us, a rhythmic sentence
without end, that knowledge we have
sometimes, of being here and flowing away

through shadows into sunlit recognition:
that what we were and have lost
can return without warning—the way love

surprises an overcast afternoon—that everything
we have forgotten continues to dance
like deep sea ripples in deep sea light.

Nothing is only itself. Look at a leaf:
there are the branching veins
of tributaries, a river system, the tree

of blood in our hands that flows from a source
deeper than the languages that split and split
from the first word no one remembers.

We are veils of water, mist
rising from a morning lake, and as we speak
to each other with more and more ease,

we begin to see: the river
and the sea: lights coming on
in the mind: sails crossing:

and what you think is what I thought,
or dreamed once, as a shadow
that shrugs off its dusty coat and stands, shining

now, where veils of air and veils of water clear
then fade into the cool dusk of summer,
into its fireflies and stars.

Copyright 2006 by George Amabile

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George AmabileGeorge writes:
"Vela Aquae" (Veils of Water) was one of the suggested titles for a project in which the texts of poems by five prairie poets were used as the basis for a set of prints, "The Archaeology of Water." The earlier title stayed with me and suggested the first few lines, which I kept in my head for some time before the rest was written in a single sitting. This is uncharacteristic as I normally work more slowly, with many revisions. Tracy Jager is one of the printmakers.

George Amabile has published in Canada, the USA, Europe, South America, Australia, and New Zealand in more than a hundred venues, including The Penguin Book of Canadian Verse, The New Yorker Book of Poems, Saturday Night, The New Yorker, Harper's, Poetry (Chicago), American Poetry Review, Poetry Australia, Sur (Buenos Aires), Poetry Canada Review, Canadian Literature, and Margin (England). He has edited The Far Point and Northern Light, and has published eight books. The Presence of Fire (McClelland & Stewart, 1982) won the CAA National Prize; Durée placed third in the CBC Literary Competition (1991); and "Dimuendo" was awarded third prize in the Petra Kenney International Poetry Competition (2005). He is the subject of a special issue of Prairie Fire (Vol. 21, No. 1, May 2000). His most recent publication is Tasting the Dark: New and Selected Poems (The Muses Company, an imprint of J. Gordon Shillingford Publishing Inc. Winnipeg, 2001). He can be reached via email at gamabile@shaw.ca.

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